It’s quite difficult to know where to start in writing this review, but let’s begin with a highly justified superlative. David Kenworthy’s brilliantly directed production of Cabaret was simply a joy to behold. Having resisted the temptation to emphasise the more seedy aspect of this musical (which is so often the case), Mr Kenworthy instead […]
Drama forms a valuable part of community life at Marlborough. Performers work with outstanding teachers to hone their skills, rehearse pieces and, ultimately, to face the challenge of performance. Drama is both exuberant and rigorous; standards are high and much is expected of those who undertake this testing but fulfilling process.
The Drama Department works under the direction of the Head of Drama. The department comprises two full time teachers as well as a full-time technical team; production manager, lighting designer and costume designer. The graduate director-in-residence program allows the students to work with young professionals at the cutting edge of theatre practice.
The Department works principally in two well equipped spaces. The Bradleian Theatre is excellent as a teaching room and doubles as a 135-seat studio theatre. This space is ideal for the performance of pupils’ own work and for the hosting of the professional touring companies that visit the College several times each year.
The Ellis Theatre boasts an exciting and distinctive atmosphere and can be converted into a variety of stage formats. In a conventional end-stage configuration, it accommodates just over 200; as a thrust stage it holds 360 and, as a theatre-in-the-round, it seats nearly 450 including almost 100 in the surrounding balcony. Pupils thus gain experience of performing in a variety of spaces.
Drama Productions at Marlborough College
The Ellis Theatre last week produced a truly remarkable production of Tom Stoppard’s Arcadia, directed by Jane Darby. A fully committed cast and crew worked tirelessly to produce characters of immense detail oscillating between action taking place over a two hundred year time span. This was beautiful work that was not only extremely witty – […]
Last weekend the Bradleian hosted an outstanding group of Hundred and Remove actors in David Kenworthy’s play The Elephant. Exploring the notion of lost and found through invisible friends, each student presented a carefully crafted individual character exploring an original perspective. A series of monologues and duologues were seamlessly connected by haunting physical reflections in which the actors beautifully […]
Rebecca Thomas and Owen Elton’s production of The Grimm Tales was a feast of storytelling magic framed in the familiar surroundings of a Shell dorm – albeit with rather more silk pyjamas than usual. The driving impulse of these stories as an essential part of growing up was very evident – and it wasn’t afraid […]
The Ellis Theatre was home to a fascinating new project this term – Jane Darby’s production of Deus Dat Incrementum. This original work was created to celebrate fifty years of girls at Marlborough College and was inspired by the BBC Points West feature that aired in 1968. The work was a brilliant fusion of verbatim […]
David Kenworthy’s haunting production of R.C Sherriff’s Journey’s End earned a central position in the College Armistice commemoration. An exceptionally committed group of boys had worked tirelessly throughout the term to transform themselves into an utterly credible company of front-line soldiers. For two hours we sat enthralled as the intensity and naturalism of these actors’ […]
The Lower School play this term was Macdonald’s clever sequel to Shakespeare’s classic tale of star-crossed lovers. In this modern, humid Verona the Capulet and Montague feud stews in the Mediterranean heat, as those left behind by the couple’s tragic loss tussle with the consequences. Jane Darby’s riveting production was simmering with all the violence […]
Mike Ponsford and Ginny Brown’s production of The Lion, The Witch and The Wardrobe was a magical trip through the eyes of children living through the Second World War. This stark, minimalist adaptation brought the mysterious world of Narnia to life built from the debris of war. Ammunition boxes, crates and chairs piled together like a barricade […]
Shakespeare’s delightful topsy-turvy world of Illyria where grief-stricken characters, bereft of siblings and lovers, are presented within a comedic frame was dazzlingly brought to life in David Kenworthy’s production of Twelfth Night. The warming, goodwill essence of Christmas was somewhat subverted as Santa became the drunken bully Sir Toby Belch, blusteringly played by Max Foulds […]
Jane Darby’s production of The Cherry Orchard was a wonderful mix of brutality and comedy, a mixture that seems to permeate all of Chekhov’s work. The stripped back walls of the Raneskya’s country estate were a haunting reminder of the central struggle that occupy the characters, that of a decaying aristocracy trying to cling to the vision […]